Raw is Wah

Looking forward to the arrival of my new Telecaster, Dunlop JC95 Wah and Behringer SF400, which has some interesting effects and a wide range of tones I can mess about with.

I recently found the sweet spot with my Les Paul, where I managed to finally illicit the right amount of gain to get a really dirty, gritty bluesy sound. I’ve been having a lot of fun playing some Beatles stuff in the fashion of a really beat up, poor mans ZZ Top. I’m interested to see how I can expand on that with the Telecaster. I loved the tonality of the Tele whilst playing blues licks.

I ordered the JC95 Wah after spending an afternoon watching head-to-heads on YouTube of various pedals and I ended up torn between the JC95 model, which is based on eliciting the sound of Alice in Chains’ Jerry Cantrell and the signature model of the late Pantera guitarist Dimebag Darrel, ‘The Crybaby from Hell Wah.’ For the sound I’m looking for, It was a tough choice between the two as to which offered the most textured, layered tone. I ultimately opted for the Cantrell model, as you can only obsess over the nuances of sound so much and obsessing over the ‘perfect sound’ just gets in the way of creativity. You have to work with the quirks of the tools at your disposal.

Rather than looking for perfection, I think it’s a lot more interesting to work with what you’ve got and build your own unique style and sound based on that, rather than being de rigueur or trying to imitate someone else. It’s the quirks which give you the authenticity, soul, individuality and originality.

It’s always better to the first and best you, than a second rate someone else.

Looking to add an MXR M108 10-Band Graphic EQ and a decent digital delay pedal sometime soon, too. This set-up should lead me nicely to one day making high budget films on oil tankers lamenting the breakdown of human relationships and swimming with dolphins. If you don’t get that last reference, you never will. 

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